1980 was a turning point in the history of state socialism in eastern Europe. 

1980 in Parallax: Architects and Acts of Solidarity 

1980 in Parallax: From Post-Modernism to Post-Modernisation in China

1980 in Parallax: Japan at Number One, Ryuichi Sakamoto’s ‘Riot in Lagos’

1980 in Parallax: On the Queerness of the AT&T Building

1980 in Parallax: Plaza de la Constitución, Post-Modernism, History and Propaganda in Pinochet’s Chile

1980 in Parallax: Provincialising Post-Modern Architecture

1980 in Parallax: The Strada Novissima and its Double

1980 in Parallax: When Post-Modernisms Met in Venice

1980 in Parallax: Zbigniew Dmochowski in Nigeria

21 games you can play with a cosmic house

A Genealogy of Post-Modern Architecture

A View From the Frontline

A World Wide Book: Charles Jencks and the Language of Post-Modern Architecture, 1977–1991

Digital technologies are now a fact of life; they are part to almost everything we do. 

A short but believable history of the digital turn in architecture

Acoustic Epigraphy

If necessity is the mother of invention, then combining previous systems is the father, and adhocism is the creative offspring.

An Adhocist Manifesto

I am not like Robert Venturi, an architect who criticises, but rather a critic who architects

An Internal Dialogue: Architect vs Critic

Architectural Library at The Cosmic House

Architecture is – acid mine drainage, acrylic, air pollution, aluminium, arsenic trioxide

Architecture is Climate 

Architecture of Our Time

Axonometric drawing of The Cosmic House

The goal of the diagram presented here is to offer a crude and concise history of Western architecture as a dialectic of base and superstructure.

Base and Superstructure: A Vulgar Survey of Western Architecture

Charles Jencks Award winner 2023: Dogma's lecture

Charles Jencks – Crawick Multiverse

Charles Jencks – Hunt the Symbol

Charles Jencks, Introduction to Post-Modern Classicism

‘Where do we come from? What are we? Where are we going’. 

Charles Jencks: The Architect in the Jumping Universe

Chronograms of Architecture

Chronograms of Architecture Symposium

Colosseum Chair and Domical Stool

Cosmic Dust: an interview with Sonia Leimer

Cosmic, Comic, Cosmetic

Cosmic, Comic, Cosmetic: Themes and Designs for a House (Sept 2021 - Sept 2022)

Cul-de-sac

When I went to see the critic Jencks for the first time, I didn’t know that he was an artist, designing his own house.

Cultural History Frieze at The Cosmic House

True Post-Modernists really do believe in a field of tensions, in the necessity for Traditional and Modern approaches to flourish

Death for Rebirth

Designs for Spring and Winter Fireplaces

Designs for the Rear Facade

Drawing of Solar Stair

Elemental House

Elevations Plan of the Architectural Library

Evolutionary Tree of Post-Modern Architecture

Evolutionary Tree to the Year 2000

FOUR ANGELS FOR TAI SHANI ~ LILITH, ABADDON, SKELLIG, DUMAH

Feminist Spatial Practices, Part 1

Furniture Commission: Skylarking 

Garden of Cosmic Speculation

Guidebook for ‘The Presence of the Past’

Charles introduced me to Eduardo at the Royal Academy of Art café. On seeing an image of my bust of Leéon Krier, he immediately agreed to sit for me.

Hephaestus in The Cosmic House: Program and Process

Histories Without a Voice: Marysia Lewandowska and Catherine Grant conversation

Illustration for Charles Jencks’ Crawick Multiverse

In Conversation: Monica Narula & Eszter Steierhoffer

Interview with Madelon Vriesendorp

Jencks Typeface

London Column at The Cosmic House

Léon Krier, Charles J. Wishing the P.M. World were a Lighter Thing to Carry

Madelon Vriesendorp: Cosmic Housework

Marysia Lewandowska: Histories Without a Voice

Marysia Lewandowska: how to pass through a door

Moonwell at The Cosmic House

In 1982 Charles Jencks asked me to design some glass for his new Post-Modern house in Lansdowne Walk. 

Moonwell, Zodiac Ballusterdiscs and Four Seasons Vignettes

The question we face today, like the one Jencks began to answer half a century ago, is how to ensure that the architectural eco-system continues to thrive

Multiform and the Legacies of Post-Modernism

Notes on (Post-)Modernist Abstractions and (Post-)Colonial Resolutions

Plan of the Ground Floor of The Cosmic House

According to the ancient definition of the word the edifices were for edification, but they were also Pop expressions of a new attitude to architecture meant to communicate. 

Post-Modern Classicism – The Ironic International Style

Post-Modernism: The True Inheritor of Modernism?

Raqs Media Collective Interview: 1980 in Parallax

Raqs Media Collective: 1980 In Parallax

Rem Koolhaas, Designs for Spring Room

Section of The Cosmic House

As Braque said: 'Reality only reveals itself when illuminated by a ray of poetry. All around us is asleep.'

Semiology and Architecture

Seventeen Themes of The Thematic House

Sketch for Conservatory Windows

Sketch for the Rear Facade of The Cosmic House

Sketches for Critics’ Corner

Sketches for Elemental House

Sketches for Spring and Winter Fireplaces

Solar Stair

Solar Stair at The Cosmic House

Sonia Leimer: Cosmic Dust

Sun Furniture for The Cosmic House

Symbolic Furniture

Symbolic Furniture Designs

Symbolic Furniture Press

Symbolic Programme for Autumn Room

Symbolic Programme for Spring Room

Symbolic Programme for Summer Room

Symbolic Programme for Winter Room

Symbolic Programmes for The Cosmic House

Symbolic Programmes for the Time Garden and Future Pavilion

TAI SHANI: THE WORLD TO ME WAS A SECRET: CAESIOUS, ZINNOBER, CELADON, AND VIRESCENT

Ten Notes on Post-Modernism

The Bicyclist Who Fell into a Time-Cone

The Century is Over. Evolutionary Tree of Twentieth-Century Architecture

The Cosmic House Mid-Construction

The Cosmic Oval at The Cosmic House

Some time in 1969, the 30-year-old critic and historian Charles Jencks made a blobby diagram

The Drawing that Ate Architecture

The Evolutionary Tree

The First Architecture Biennale in Venice, 1980

The Jencks Suite, Time Garden

Aaron Betsky

Bryony Roberts and Abriannah Aiken

Catherine Grant

Celia Scott

Charles Jencks

Charles L. Davis II

Clare Carolin

Cole Roskam

Cruz Garcia

Curry Hackett

David Crowley

Ella Finer

Eszter Steierhoffer

Glenn Adamson

Ilinca Cantacuzino

Justin Beal

Lidia Klein

Lily Jencks

Léa-Catherine Szacka

MOULD

Maggie Keswick Jencks

Mario Carpo

Mark Wigley

Marysia Lewandowska

Nathalie Frankowski

Nathan Silver

Owen Hatherley

Owen Hopkins

Pier Vittorio Aureli and Marson Korbi  

Steven Connor

Stylianos Giamarelos

Urtzi Grau and Francesca Hughes

WAI Architecture Think Tank

William Stok

e-flux Architecture

Łukasz Stanek

Adhocism

What is/was Post-Modern?

RIBA

Land Art

Landscape

Evolutionary Tree

post-modern

Venice Architectural Biennale 1980

Semiotics

The Cosmic House

Maggie Keswick

Symbolic

Lecture

Women's History

Multiform

Post-Modernism

Cosmic

Diagrams

Column

Residency

Collaborations

Maggies Cancer Caring Centres

1980 in Parallax

Cosmic Housework

Crawick Multiverse

Humour

Irony

Madelon Vriesendorp

Sonia Leimer

Tai Shani

Article

Drawing

Editorial

Text

Architistics, Architecture’s Linguistics

‘Isms and ‘Wasms: 1980 in Parallax

‘Isms and ‘Wasms: Chronograms of Architecture

’isms and ’wasms

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